What defines a great cover song? I think there are two crucial elements: A complete and successful re-interpretation of the song that stretches the scope of the music in entirely new directions When the song title is mentioned, most people believe the song belongs to the cover band rather than the original artist With that limited criteria as our guide, allow me to present the 10 Greatest Cover Songs of All Time. All Along the Watchtower (Jimi Hendrix) Bob Dylan originally sang this one as a folk rocker, but Hendrix rescues it with some scathing electrical guitar work. It’s amazing that Dylan released the song in 1967 and by 1968 most people already considered it a Hendrix song. In fact, Dylan even liked the Hendrix version better and played it “heavier” in concert for years in tribute to Hendrix. This is a perfect example of an artist completely re-interpreting a song to make it better, yet still echoing the original. I Fought the Law (The Clash) Does anyone even remember that this song was originally done by the Crickets in 1965? Probably not because before the Clash’s version, the song was made popular by the Bobby Fuller Four (Bobby Fuller was found dead in his car the same day the song hit the Top 40). But for all purposes, the Clash have so thoroughly taken command of this song that it’s become one of about five tunes that people immediately connect with the band. It’s an outstanding cover because the Clash’s punk version is a better fit for the tune musically than the original rockabilly style or the Bobby Fuller Four version. One Bourbon, One Scotch, One Beer (George Thorogood) This was an old blues number by John Lee Hooker that George Thorogood and his Destroyers made into one of their signature songs (along with “Bad to the Bone). Thorogood takes Hooker’s insightful, introspective song and creates a party number out of it by ripping it pieces with his masterful slide guitar antics. Red Red Wine (UB40) How’s this for stretching the limits on a song? UB40 takes puffy pop standard by Neil Diamond and makes it into a rollicking reggae tune that became one of the defining songs of the 1980 retro-reggae scene. However, UB40 didn’t even know Neil Diamond wrote and recorded it until after “Red Red Wine” was a hit. The band thought the song belonged to another reggae band – Tony Tribe, which recorded it in 1969. Respect (Aretha Franklin) Otis Redding said all that needed to be said about Aretha’s version of his original. “I think the bitch stole my song.” That she did. Aretha added the “Sock it to me” line to the song (which is a sexual reference) and added a rocking bridge line to the tune. Walk This Way (Run DMC) This may be one of the most significant covers in history. By converting Aerosmith’s popular rock anthem into a rap song, Run DMC brought hip hop to the mainstream and rescued Aerosmith from the dustbin. Run-DMC stumbled upon the album, but had never heard of Aerosmith (in fact, they thought the name of the band was Toys in the Attic, the album with “Walk This Way” on it). Aerosmith was pretty much over and the song helped revive its career after the disastrous release of the band’s worst album “Done with Mirrors.” Suspicious Minds (Fine Young Cannibals) How is it possible to swipe a song from the King? Ask the Fine Young Cannibals who turned Elvis Presley’s last number one song before his death into one of the most popular songs of the alt-rock movement of the 1980s. This is a bouncy, guitar heavy tune that would have made the King proud. Take Me to the River (Talking Heads) I’ll never forgive the Talking Heads for taking the Modern Lover’s bass player, but they kind of make up for it with this fantastic cover of an Al Green tune. This is the song that put art rock band Talking Heads on the musical map. This slowed down, bass-heavy rendition of the original became the coda of urban cool and helped usher in the new wave movement in 1978. You Really Got Me (Van Halen) This song was the first hit for the Kinks and the first hit for Van Halen. Ray Davies of the Kinks said he liked the Van Halen version better and that the Kinks version was a prop airplane and the Van Halen version was a fighter jet. This song really encapsulates early Van Halen showing off Eddie Van Halen’s guitar mastery and lead singer David Lee Roth’s trademark squeals. Ring of Fire (Social Distortion) It’s difficult to unseat Johnny Cash from his own song – never mind pick him up and throw him to the ground. But that’s exactly what Social Distortion does to “Ring of Fire.” They punk it up and own it. The song, however, was really written by June Carter, who wrote it while driving around one night worried about Cash’s wild partying.
I agree with the last bit, this song is a perfect example of an artist completely re-interpreting a song while retaining it's original beauty. But as for Dylan's modified stage performances of the song, it wasn't a tribute to Hendrix or anything like that. Dylan often played heavier versions of his songs on stage in the late '60s.
Turn the page - Metallica Originally by Bob Seger, the song was later covered by Metallica, as the first single from their 1998 Garage Inc. album; drummer Lars Ulrich had heard the original song while driving across the Golden Gate Bridge. Metallica's rendition is taken at much the same tempo as Seger's, but with a heavier feel; the saxophone part is replaced by a high slide guitar line from Kirk Hammett and James Hetfield played a guitar solo before the last run through the chorus. Am I Evil? - Metallica "Am I Evil?" is a song by Britishheavy metal band Diamond Head and first appeared on their Lightning to the Nations album. The intro to the song is based on the Mars theme of Gustav Holst's The Planets. The song is widely regarded as one of the best recorded by a NWOBHM band, but is probably best known among metal fans today for having been recorded and played live many times by the younger band Metallica, who cite Diamond Head as a major influence. The song was part of Metallica's Am I Evil? / Blitzkrieg cassette single and appeared briefly on Kill 'Em All. The song appeared again in 1998 on Metallica's Garage Inc. album. Hurt - Johnny Cash "Hurt" is a promotional single from Nine Inch Nails'remix album Further Down the Spiral (Halo Ten). Originally from 1994's The Downward Spiral, "Hurt" and its remixes were released as a radio only single to promote Halo Ten the following year. "Hurt" is often hailed as one of Trent Reznor's best, most introspectively personal pieces of songwriting. Several years later, "Hurt" was covered by Johnny Cash to great critical acclaim; it was Cash's final hit before his death in 2003. Its accompanying video, featuring images from Cash's life up to his final months, was named the best video of the year by the Grammy Awards and Country Music Awards. Whiskey In The Jar - Metallica.. others too. Originally dating back to probably the 17th century, many people pass it off as being a metallica or thin lizzy original. Yeah, not quite 10 top covers, and mostly based on whats on my playlist atm, but there ya' have it.
heres some of my favorites Johnny Cash- Personal Jesus, Solitary Man, One Metallica - Whiskey in the Jar Jose Feliciano - Light my Fire Kula Shaker - Hush Hurriganes - I will Stay Jeff Buckley - Hallelujah Jimi Hendrix - Hey Joe, All along Watchtower
heres some of my favorites Johnny Cash- Personal Jesus, Solitary Man, One Metallica - Whiskey in the Jar Jose Feliciano - Light my Fire Kula Shaker - Hush Hurriganes - I will Stay Jeff Buckley - Hallelujah Jimi Hendrix - Hey Joe, All along Watchtower
